In the quiet atmosphere of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is effortlessly upright, his limbs muscular beneath a simple white T-shirt. On stage, dancers can seem like powerful deities, yet frequently offstage they are small. Not so Ball, whose height is one reason for his popularity for princely roles and partnering. Possessing delicate traits and piercing eyes, there's a hint of Robert Pattinson about him.
An Apparent Ascent to the Pinnacle
Now 31, Ball is enjoying the crest of a career that has progressed seamlessly. Growing up in Liverpool, he faced minimal teasing for his childhood passion in ballet. Joining the esteemed training institution at 11, he moved directly into the troupe and was advanced each year, attaining the top rank of lead dancer in 2018. He has relished tackling meaty dramatic roles, particularly the emotional turmoil found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
Ball's next starring role is as himself, in an "Evening With" event aiming to offer intimate insights into a performer's art. He will guide the audience through a part, demonstrating his cognitive process while execution. Even in more comedic ballets, the test is profound. "Don Quixote is one of the most demanding technically," he notes.
The Psychological Game and Post-Performance Feelings
How does he feel after a performance, when he has pulled it off? "It feels pretty good," he admits. "However because I'm trying to squeeze all the emotion out of it, and get lost in the role, quite often I do feel self-conscious later. Following Mayerling I'm always like: Wow, what must people think?"
Offstage, Ball is thoughtful, polite, and prone to laugh at himself. Yet a choreographer previously observed on a "kind of suffering in him." Does this exist? "I'm quite energetic usually, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."
Formative Drivers and Creative Inspirations
Ball's tenacity stemmed from early experiences. Not excelling in contests at school made him "vengeful!" It was fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.
An upcoming challenge is creating his own dance works. For Ball, "organic movement has value." "Breaking the rules is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing inspiration from books, music, and painting.
Intimate Dance and Private Dynamic
He also is interested in staging dance in smaller venues. "It was just really thrilling," he says of a past experience. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"
Ball has created pieces with his girlfriend, fellow principal Mayara Magri. The level of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." They aren’t typically paired on stage at their main theater, which might be beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite supporter."
On Social Media and Bodily Image
On social media, fans can see videos from his dance films and photos that highlight a athletic form. Does he care that the response can be somewhat focused on appearance? Not really. "The body is just what we work with, so I don’t feel very protective about it," he explains. He relates it to seeing Michelangelo’s David—an object that can be seen on various ways.
Ball describes his early self as "eager for success." Did it met his hopes? "I am conscious of how life is a different thing to the dreams you made as a young person," he reflects. He likely has about ten years of performing ahead. "I guess in the time to come, I want to be a bit more gentle with myself."